BEST QUALITY AT GREAT PRICE


Our studio has choose to go for the industry standard system to offer the most opened and interoperable sessions for world's movie industry.
Focused on stability and sound quality, our equipment is maintened fully functional and up-to-date.

OUR EQUIPMENT :

- Pro Tools HD2 Accel v. 10.3.10 and 11.0.2 Mac Pro octo-core / 192io with digital link to monitors
- deck ProControl 24 faders
- second Pro Tools 10 on iMAc i7 27''
- Final Cut Studio 3
- sound library recorded by ourself with special part of "brazilian sound"
- classical commercial sound libraries
- ENG sound recording set (mixer Sonosax, wireless lavalier, boom, mikes...)
- mobile recorder TASCAM DR 680, Fostex FR2-LE and Zoom H2n
- Audio booth equiped with Neumann mike and Sonosax preamp.
- and...

THE STUDIO

Our studio is composed of 3 technical room :
- the main control room. Acoustically treated to ensure flat and smooth response. Its volume is around 75 m3 (2650 ft3). Silentfull air-conditionner. A sonically transparent screen of 260x145 Holotrame HD2K.


- audio booth (speaker cabine) of 4 m² with lcd screen, window to control room, audio distribution for headphone and silent airconditioning.


- separate machine room with air conditioning.
- Full HD 2500 lumen video projector INfocus 8606HD (all frame rate between 23,97 to 60 fps)
- broadband internet (15 Mbps download, 10 Mbps upload)

PRO TOOLS HD 10/11
PRO CONTROL 24 faders

We use a Pro Tools HD from Avid - industry standard for audio post-production. Our host computer is a MacPro octo-core with 16Go of RAM and dedicated Decklink video output to our full-HD videoprojector.
We use the 10.3.10 version of Pro Tools HD and, sometimes the 11. Our system is an HD2 Accel PCIE with 192io analog/digital.

Our deck is a 24 faders ProControl, one of the most efficient controller for Protools and equiped with the best motorized fader in the market : the DigiFader.

MONITOR DE STUDIO 5.1
DYNAUDIO AIR SERIES

Our main monitoring system is a 5.1 set of AIR 6 from Dynaudio.
They offer a very natural and flat response and are calibrated for movie theater/X curve (85 dB) and video level (flat/82 dB) thanks to our sound analyser and the Air Remote.
Smaller monitor (Fostex PM 0.5) are also connected to check mixes (in stereo only).

PLUG-IN FOR AUDIO POST-PRODUCTION

With a full set of the best plug-ins (AAX, TDM and RTAS) for post-production, we can assure a very good mix even for the "not so good" direct sound we sometimes receive...